New
Arrivals/Restock
Orchesta Sinfonica Nacional De Cuba: Cuban Symphonic Music - COMPACT DISCS
4.3 (122 items)
Limited Time SaleUntil the end
04
55
31
$91.30 cheaper than the new price!!
Free shipping for purchases over $99 ( Details )
Free cash-on-delivery fees for purchases over $99
Free cash-on-delivery fees for purchases over $99
See all stores
Please note that the sales price and tax displayed may differ between online and in-store. Also, the product may be out of stock in-store.
New $166.00
Product details
| Management number | 205730264 | Release Date | 2025/10/22 | List Price | $74.70 | Model Number | 205730264 | ||
|---|---|---|---|---|---|---|---|---|---|
| Category | |||||||||
Title: Cuban Symphonic Music
Artist: Orchesta Sinfonica Nacional De Cuba
Label: MDG
Product Type: COMPACT DISCS
UPC: 760623187327
Genre: Classical
Release Date: 2015-02-17
Number of Discs: 1
The opening Trois danses cubaines by Alejandro García Caturla (1906-1940) is very much a typical example of Hispano-American musical culture, and would be right at home on a disc of music by Chavez, Villa-Lobos or Ginastera. Like Aaron Copland, he studied under Nadia Boulanger during a stay in Paris, and likewise seamlessly integrates old and new world techniques to great effect. Too bad he died so young. He was a lawyer by day, and it seems one of his clients was rather "disappointed" by his services. The following Preludio para Penthesilea by composer Carlos Fariñas (1934-2002) has, according to the liner notes, become a highly requested concert piece, and I can understand why. With it's constant barrage of multiple percussion instruments adding layer after layer of cross-rhythms and powerful forward momentum, it's hypnotic and almost ritualistic effect could certainly bring an audience to it's feet. A quick change of gears brings US to the beautifully exotic Pregón y Danza by Enrique González Mántici (1912-1974) whose opening pages bring to mind a sound reminescent of Miles Davis around his "Sketches of Spain" period. The aptly titled Rítmotiv, first performed in 2002 under the direction of it's composer Guido López-Gavilán del Rosario (b1944), is an orchestral tour-de-force as it introduces, overlaps and superimposes various rhythmic motifs and melodies to become a cornucopia of captivating sounds all assembled together by a craftsman. The final work on this CD, the deeply moving in Memoriam. A mi esposa Lillian Acosta by Alfredo Diez Nieto (b1918), once again demonstrates that grief is very much a universal human emotion and is expressed the same way regardless of nationality. It's the odd man out on this CD, simply because for that reason, it does not sound Cuban at all. It's a striking work, scored for strings alone, written to honor the loss of his wife in 2010. It's remarkable by it's simple gestures and yet clutching emotion, with closing notes to ponder over.
Tracks:
1.1 Trois Danses Cubaines-Alejandro García Caturla
1.2 Preludio Para Penthesilea-Carlos Fariñas -
1.3 Pregón y Danza-Enrique González Mántici
1.4 Rítmotiv-Guido López-Gavilán Del Rosario
1.5 In Memoriam.A Mi Esposa Lillian Acosta-Alfredo Diez Nieto
Artist: Orchesta Sinfonica Nacional De Cuba
Label: MDG
Product Type: COMPACT DISCS
UPC: 760623187327
Genre: Classical
Release Date: 2015-02-17
Number of Discs: 1
The opening Trois danses cubaines by Alejandro García Caturla (1906-1940) is very much a typical example of Hispano-American musical culture, and would be right at home on a disc of music by Chavez, Villa-Lobos or Ginastera. Like Aaron Copland, he studied under Nadia Boulanger during a stay in Paris, and likewise seamlessly integrates old and new world techniques to great effect. Too bad he died so young. He was a lawyer by day, and it seems one of his clients was rather "disappointed" by his services. The following Preludio para Penthesilea by composer Carlos Fariñas (1934-2002) has, according to the liner notes, become a highly requested concert piece, and I can understand why. With it's constant barrage of multiple percussion instruments adding layer after layer of cross-rhythms and powerful forward momentum, it's hypnotic and almost ritualistic effect could certainly bring an audience to it's feet. A quick change of gears brings US to the beautifully exotic Pregón y Danza by Enrique González Mántici (1912-1974) whose opening pages bring to mind a sound reminescent of Miles Davis around his "Sketches of Spain" period. The aptly titled Rítmotiv, first performed in 2002 under the direction of it's composer Guido López-Gavilán del Rosario (b1944), is an orchestral tour-de-force as it introduces, overlaps and superimposes various rhythmic motifs and melodies to become a cornucopia of captivating sounds all assembled together by a craftsman. The final work on this CD, the deeply moving in Memoriam. A mi esposa Lillian Acosta by Alfredo Diez Nieto (b1918), once again demonstrates that grief is very much a universal human emotion and is expressed the same way regardless of nationality. It's the odd man out on this CD, simply because for that reason, it does not sound Cuban at all. It's a striking work, scored for strings alone, written to honor the loss of his wife in 2010. It's remarkable by it's simple gestures and yet clutching emotion, with closing notes to ponder over.
Tracks:
1.1 Trois Danses Cubaines-Alejandro García Caturla
1.2 Preludio Para Penthesilea-Carlos Fariñas -
1.3 Pregón y Danza-Enrique González Mántici
1.4 Rítmotiv-Guido López-Gavilán Del Rosario
1.5 In Memoriam.A Mi Esposa Lillian Acosta-Alfredo Diez Nieto
Faux Trees & Plants
Classical
Correction of product information
If you notice any omissions or errors in the product information on this page, please use the correction request form below.
Correction Request Form