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Ausrine Stundyte: Zemlinsky: Eine florentinische Tragödie - COMPACT DISCS
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Product details
| Management number | 205721326 | Release Date | 2025/10/22 | List Price | $63.90 | Model Number | 205721326 | ||
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| Category | |||||||||
Title: Zemlinsky: Eine florentinische Tragödie
Artist: Ausrine Stundyte
Label: Pentatone
Product Type: COMPACT DISCS
UPC: 827949070860
Genre: Classical Artists
Release Date: 2024-06-14
Number of Discs: 1
Dutch National Opera presents Alexander von Zemlinsky's Eine florentinische Tragodie (1917), with Marc Albrecht conducting the Netherlands Philharmonic Orchestra and Ausrine Stundyte (Bianca), Nikolai Schukoff (Guido Bardi) and John Lundgren (Simone) as soloists. Eine florentinische Tragodie (1917) fully adheres to George Bernard Shaw's famous dictum that every opera is "when a tenor and soprano want to make love, but are prevented from doing so by a baritone". Yet Zemlinsky's piece presents this core narrative in it's most condensed form, and it's conclusion is one of the most original and enigmatic in opera history. This suspenseful, opulent score is in good hands with Marc Albrecht and the Netherlands Philharmonic Orchestra, whose proficiency in late-Romantic repertoire was crowned with a 2021 Opus Klassik Award for their recording of Zemlinsky's symphonic poem Die Seejungfrau. The three soloists are all seasoned in Wagnerian and late-Romantic repertoire, having appeared on the world's greatest opera stages. Oper! Magazine has crowned Dutch National Opera as Opera House of the Year 2024, an accolade that the company also received from the International Opera Awards in 2016. To emphasise the continuous transcendence of a life, Lilja builds a solid sense of identity for each suite. The cello is embraced by the sonic world like an individual by the universe. Lilja's playing has influences from the span of 300 years of existence of the suites, evolving from the simplicity of the 1st suite to almost Romantic in the 6th. His interpretation is inspired by Bach's rhythmical ideas that expand suite by suite and, as life throughout the years, become more complex and multilayered. After years of pioneering cello artistry in rock and electronic music, as well as composing for various projects, Lilja returns to his classical roots. With Six Shades of Bach, he presents a first of a kind crossover work, contributing to dialogues about the cello suites and survival of classical music. Max Lilja makes his Pentatone debut.
Tracks:
1.1 florentinische Tragödie, opera~Overtüre
1.2 florentinische Tragödie, opera~So langsam, Weib?
1.3 florentinische Tragödie, opera~Ich dank' Euch, Herr
1.4 florentinische Tragödie, opera~Wackrer Simone, genug, ich bitte Euch
1.5 florentinische Tragödie, opera~Ja, ich vergass, und will nicht wieder Anstoß geben
1.6 florentinische Tragödie, opera~Was gibt es Neues, mein Prinz?
1.7 florentinische Tragödie, opera~Wie er gleich einem schalen Krämer spricht!
1.8 florentinische Tragödie, opera~Genug! Zur Freude reif ist diese Nacht
1.9 florentinische Tragödie, opera~Nun, mein Prinz, stosst an
1.10 florentinische Tragödie, opera~Holdsel'ge Bianca, der schale Krämer langweilt mich
1.11 florentinische Tragödie, opera~Simone, jetzt muß ich nch Hause gehn
1.12 florentinische Tragödie, opera~Bianca, hol mein Schwert!
1.13 florentinische Tragödie, opera~Warum hast du mir nicht gesagt
Artist: Ausrine Stundyte
Label: Pentatone
Product Type: COMPACT DISCS
UPC: 827949070860
Genre: Classical Artists
Release Date: 2024-06-14
Number of Discs: 1
Dutch National Opera presents Alexander von Zemlinsky's Eine florentinische Tragodie (1917), with Marc Albrecht conducting the Netherlands Philharmonic Orchestra and Ausrine Stundyte (Bianca), Nikolai Schukoff (Guido Bardi) and John Lundgren (Simone) as soloists. Eine florentinische Tragodie (1917) fully adheres to George Bernard Shaw's famous dictum that every opera is "when a tenor and soprano want to make love, but are prevented from doing so by a baritone". Yet Zemlinsky's piece presents this core narrative in it's most condensed form, and it's conclusion is one of the most original and enigmatic in opera history. This suspenseful, opulent score is in good hands with Marc Albrecht and the Netherlands Philharmonic Orchestra, whose proficiency in late-Romantic repertoire was crowned with a 2021 Opus Klassik Award for their recording of Zemlinsky's symphonic poem Die Seejungfrau. The three soloists are all seasoned in Wagnerian and late-Romantic repertoire, having appeared on the world's greatest opera stages. Oper! Magazine has crowned Dutch National Opera as Opera House of the Year 2024, an accolade that the company also received from the International Opera Awards in 2016. To emphasise the continuous transcendence of a life, Lilja builds a solid sense of identity for each suite. The cello is embraced by the sonic world like an individual by the universe. Lilja's playing has influences from the span of 300 years of existence of the suites, evolving from the simplicity of the 1st suite to almost Romantic in the 6th. His interpretation is inspired by Bach's rhythmical ideas that expand suite by suite and, as life throughout the years, become more complex and multilayered. After years of pioneering cello artistry in rock and electronic music, as well as composing for various projects, Lilja returns to his classical roots. With Six Shades of Bach, he presents a first of a kind crossover work, contributing to dialogues about the cello suites and survival of classical music. Max Lilja makes his Pentatone debut.
Tracks:
1.1 florentinische Tragödie, opera~Overtüre
1.2 florentinische Tragödie, opera~So langsam, Weib?
1.3 florentinische Tragödie, opera~Ich dank' Euch, Herr
1.4 florentinische Tragödie, opera~Wackrer Simone, genug, ich bitte Euch
1.5 florentinische Tragödie, opera~Ja, ich vergass, und will nicht wieder Anstoß geben
1.6 florentinische Tragödie, opera~Was gibt es Neues, mein Prinz?
1.7 florentinische Tragödie, opera~Wie er gleich einem schalen Krämer spricht!
1.8 florentinische Tragödie, opera~Genug! Zur Freude reif ist diese Nacht
1.9 florentinische Tragödie, opera~Nun, mein Prinz, stosst an
1.10 florentinische Tragödie, opera~Holdsel'ge Bianca, der schale Krämer langweilt mich
1.11 florentinische Tragödie, opera~Simone, jetzt muß ich nch Hause gehn
1.12 florentinische Tragödie, opera~Bianca, hol mein Schwert!
1.13 florentinische Tragödie, opera~Warum hast du mir nicht gesagt
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